The Surreal Life


Ah, the magic of working with Reanna Evoy, the world’s greatest art director. This was done a few years ago for enRoute magazine. Essentially, I was allowed to draw whatever the hell I wanted, then Fred Casia and I glued it all together and made it all stand up in a generally stable-ish sort of way. We weren’t so sure what the models were going to think of this shoot, so we were relieved when they said they were happy to share a scene with a horn playing cat.